![]() ![]() 1, reproduces caricatures of this painting and its pendant in the frontispiece calls it “la femme rêvée par les passementiers de la rue Saint-Denis”. 328 (engraving by Minne), sees virtue in the subject’s elegant dress and calls her “l’épouse laborieuse” in combination with its pendant, considers the artist to have succeeded in depicting “deux types opposés de la vie moderne”. Charles Marchal." L’illustration 51 (May 23, 1868), p. 2, reproduces a caricature of this painting with its pendant notes they are a financial success for the artist and jests they are being prepared for export in long boxes. "Promenade au Salon de 1868." Journal amusant no. 297 (engraving), publishes engravings after this painting and its pendant. Victor Cesson." L'univers illustré 11 (May 16, 1868), ill. La marotte 1 (May 14, 1868), unpaginated, reproduces caricatures of this painting and its pendant as “toilette d’été” and “toilette d’hiver”. "Salon de 1868." Le charivari 37 (May 10, 1868), unpaginated, reproduces a caricature of this painting with its pendant calls it a painting of a “femme honnête” and notes that it has more admirers than its pendant, the “cocotte”. 287, describes it as lively, charming, and superior in truth and grace to anything the artist produced before. "Salon de 1868, introduction." L'artiste (May 1868), p. 287, notes the strong moral contrast between the chaste "Penelope" and the courtesan, "Phryné," and Marchal's success at the Salon with the pair. "Chronique du mois: Le Salon de 1868 (fin)." Musée des familles 35 (1868), p. 32–33, notes that this picture and "Phryne" were said to have been purchased on the opening morning of the Salon by an "Américain enthousiaste" for Fr 30,000. Salon de 1868 (1868), states that this painting and "Phryne" are said to have been sold for Fr 28,000. Exposition des Beaux-Arts: Salon de 1868. "Salon de 1868." La presse (1868), praises this picture. 5, reproduces caricatures of this painting and its pendant. Gill-revue: Le salon pour rire (1868), p. ![]()
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